Wednesday, 7 December 2016

Bust of Boyle in the Long Room at Trinity College Library, Dublin.




The Marble Bust of Robert Boyle (1627 - 91). 
in the Long Room 
at Trinity College Library, 
Dublin.
Unsigned.
Workshop of Louis Francois Roubiliac.
This portrait is probably derived from the engravings of the original oil portrait by Kerseboom
(see below).

For much more on Boyle see -





















Photographs taken by the Author - 4 October 2016.

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Robert Boyle, by William Faithorne, 1664 - NPG D22648 - © National Portrait Gallery, London

Robert Boyle
Engraving by William Faithorne
299 x 224 mm.
1664.
NPG

Portrait of Robert Boyle; half length, head turned to the right, wearing long wig and lace collar, in oval frame on pedestal.  Engraving


Robert Boyle
Engraving 
Robert White
After Kerseboom
154 x 100 mm
1670 - 1690
British Museum

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Robert Boyle, by John Smith, after  Johann Kerseboom, 1689 (1689) - NPG D781 - © National Portrait Gallery, London



Robert Boyle
after Kerseboom
J Smith.
Mezzotint
1689
275 x 207 mm.
NPG.

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 Portrait, HLdirected slightly to right, looking away over right shoulder, holding a rolled print against his chest in right hand, wearing a pale coat, plain white cravat and shoulder-length pale wig; after van der Vaart.  1724  Mezzotint



Robert Boyle 
Mezzotint
after Johannes Kerseboom
Pieter Schenk - Amsterdam
248 x 180 mm
Early 18th Century.
British Museum

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Robert Boyle, by John Faber Jr, published by  Thomas Bowles Sr, early 18th century - NPG D30346 - © National Portrait Gallery, London
Robert Boyle
Bust in Queen Caroline's Hermitage, Richmond.
Mezzotint
347 x 244 mm.

Robert Boyle, by George Vertue, after  Johann Kerseboom, 1739 - NPG D32052 - © National Portrait Gallery, London
Engraving by George Vertue
after the original by Kerseboom in the collection of Richard Mead
1739.
424 x 289 mm.
NPG.

Portrait, bust in an oval directed to left, head turned to right, looking towards the viewer, wearing a fringed cravat and long pale wig, with a palm, books, dividers, an air-pump, papers and other scientific artefacts at the base of the oval, a coat of arms on the plinth to left and light striking from between clouds in upper right corner; after Kerseboom.  1744  Mezzotint

Robert Boyle
Mezzotint
after Johannes Kerseboom
Andrew Miller
pub. Dublin
348 x 250 mm
1744
British Museum

Portrait of Robert Boyle; three-quarters length seated to right, head turned to left and glancing towards the viewer, right elbow resting on the arm of his upholstered chair and gesturing towards a book on a table to right, turning a page with his other hand, wearing a dark cloak, fringed white cravat and long brown wig; with a curtain and pillar behind; after Kerseboom; unlettered proof.  1744  Etching and engraving


Robert Boyle
engraving - unlettered proof
Frontispiece to 'Works of the Honourable Robert Boyle'.
after Johannes Kerseboom.
Bernard Baron
301 x 200 mm.
1744

British Museum



Robert Boyle, after Johann Kerseboom, (circa 1689-1690) - NPG 734 - © National Portrait Gallery, London
Robert Boyle
The original portrait
Oil on Canvas.
Johann Kerseboom d.1708.
756 x 622 mm.
NPG.


Robert Boyle
by John Riley.
oil on canvas.
762 x 635 mm.
1689
Image Courtesy Royal Society
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Robert Boyle by Kerseboom
with dealer Philip Mould - Historical Portraits in 2001.
see

http://www.bbk.ac.uk/boyle/Issue4.html

____________________________

Four oval portraits with names, dates of death and age on scrolls under the upper pair and on inscription space under the lower pair; portrait of Boyle: directed to right, looking to front; portrait of Newton: directed towards right, looking to front, wig; portrait of Flamstead: directed towards right, looking to front, black gown, bands; portrait of Halley: directed towards left, looking to front; before division into separate portraits and letters erased  Mezzotint



The Honble Robert Boyl, Sr Isaac Newton, Mr John Flamsteed, Mr Edmund Hatley 
Poets and Philosophers of 
Mezzotint
one of a set of six plates.
by John Simon
352 x 250 mm
c.1730 - 40
British Museum

This mezzotint portrait of Boyle is obviously derived from the painted portrait below attribute to Jonathan Richardson




Low resolution portrait attrib. to Jonathan Richardson
internet.

Royal Society of Chemistry.

Information very gratefully received from Michael Hunter.
Emeritus Professor Michael Hunter, Department of History, Classics and Archaeology, Birkbeck College, University of London.

For an introduction to the Life and Works of Boyle one can do no better than visit

http://www.bbk.ac.uk/Boyle/intro.htm

Professor Hunter also pointed me to the medallion below -

Image result for Cavalier Medallion Robert Boyle


Cast brass medal.

Bronze or Brass Medallion cast by Carl Reinhold Berch from an ivory by Jean Cavalier 1690.

British Museum


Bust of Locke in the Long Room Trinity College Library, Dublin.




The Marble Bust of Locke 
in the Long Room Trinity College Library, 
Dublin.
Peter Scheemakers
Signed PS. Ft

All of the busts of Locke are based on the original portrait by Godfrey Kneller



















Portrait of John Locke, half-length to front, with head turned to look towards right; wearing a loose gown over shirt with high collar; in an oval frame decorated with Acanthus leaves on top, placed on a pedestal, with coat of arms in front; after Kneller.  1713  Engraving


John Locke
after Godfrey Kneller
George Vertue
251 x 162 mm.
1713

© The Trustees of the British Museum

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.Portrait of John Locke, half-length to front, with head turned to look towards right; wearing a loose gown over shirt with high collar; in an oval frame decorated with Acanthus leaves on top, placed on a pedestal, with coat of arms in front; after Kneller

John Locke
Engraving after Godfrey Kneller
by George Vertue
178 x 101 mm. 
1720.

© The Trustees of the British Museum 

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Portrait, half length in an oval frame, open collar and gown. 1721  Mezzotint

John Locke

Mezzotint after Kneller 
John Smith
346 x 250 mm.
1721.


© The Trustees of the British Museum 

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Portrait, half length, statue in an oval niche, facing front, directed towards right, with a cape draped around his shoulders and an open collar; one of five plates; state published by C Bowles.  Mezzotint


Marble Bust of John Locke.

from the bust by Guelfi in Queen Carolines Hermitage at Richmond.
Mezzotint John Faber the Younger
354 x 253 mm
c.1740
© The Trustees of the British Museum 


For an in depth article on Queen Carolines Hermitage and the sculpture

see my blog entries - http://http://bathartandarchitecture.blogspot.co.uk/2015/08/queen-carolines-hermitage-at-richmond.html

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John Locke, portrait, almost half-length in ovals formed of palm branches, directed to right, looking towards the viewer, wearing loose gown over an open shirt, own hair; from a set of six.  Mezzotint
John Locke 
Mezzotint Francis Kyte
from Worthies of Britain
cut from the larger plate of four worthies
(see below)

174 x 123 mm


Worthies of Britain, by Francis Kyte, after 1725 - NPG D1443 - © National Portrait Gallery, London


Mezzotint Francis Kyte

350 x 250 mm.
National Portrait Gallery



Portrait of John Locke; half length, head turned towards  right; wearing a loose gown over shirt with high open collar; with short hair; in oval frame with books, branches, and title on cartuoche below.  Etching and engraving

John Locke
Engraving after Kneller
Anon.
167 x 105 mm.
c 1750.

© The Trustees of the British Museum 

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John Locke

The original oil on canvas
now in the Hermitage
1697
From the Collection of Sir Robert Walpole
 at Houghton Hall, Norfolk.


76 x 64 cms

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John Locke, after Sir Godfrey Kneller, Bt, (1704) - NPG 550 - © National Portrait Gallery, London


John Locke 
Oil on Canvas 
after the original by Kneller of 1704
749 x 622 mm.
on display at Westminster School

National Portrait Gallery.

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John Locke, by Jean Dassier, 1704 - NPG D7041 - © National Portrait Gallery, London


John Locke
Medallion by Dassier
43 mm
NPG.

see my previous blog post on Dassiers British Worthies of c. 1733. 

http://bathartandarchitecture.blogspot.co.uk/search?q=Dassier+Locke

Tuesday, 6 December 2016

Bust of Newton in the Long Room at Trinity College Library, Dublin




The Marble Bust of Isaac Newton
 in the Long Room 
at Trinity College Library, 
Dublin.

Almost certainly from the workshop of Louis Francois Roubiliac.

This bust is closely related to the bust of Newton at the Royal Society

For more on the iconography of Isaac Newton see -

http://english18thcenturyportraitsculpture.blogspot.co.uk/2016/02/the-portrait-busts-and-statue-of-isaac.html


























Bust of Milton in the Long Room, Trinity College Library, Dublin.




The Marble Bust of Milton 
in the Long Room, 
Trinity College Library, 
Dublin.

Peter Scheemakers
signed P.S.Ft.